The last few weeks have been rather busy for us as we ended March by going to an Alan Menken concert, began April with watching the national tour production of Anastasia, and watched a regional production of Mamma Mia! about two weeks ago.
On March 30, we attended “A Whole New World of Alan Menken” to hear the legendary composer and songwriter―best known for his work with Disney―perform some of his most popular songs at the Auditorium Theatre in downtown Chicago. He played a little bit of everything, from “Under the Sea” from The Little Mermaid to “Suddenly Seymour” from Little Shop of Horrors to the skit song Captain America and the dancers perform to in Captain America: The First Avenger. He also told some stories about his career, how he collaborated with other well-known songwriters, how various songs came to be, and how he got to work on certain projects.
A lot of what we already knew about Menken concerned his involvement with various projects, but we didn’t know much about the collaborations he had or much about his personal life. So it was really great to learn more about a person whose music has brought us so much joy throughout the years. It was also cool learning more about his work that were unfamiliar with, such as Sister Act the Musical and the television show Galavant. We’re especially appreciative of the time he took to perform a show in Chicago, because he said his mom had just passed a few days prior.
February 20 was a good day, and here’s why: because on that Wednesday, that Wednesday you watched Dear Evan Hansen at the Nederlander Theatre and sat in the orchestra after winning the ticket lottery. And it’s a good thing , because you both knew it would be the only way you’d get to watch the national tour production during its Chicago stop.
When the presale started, neither of you had enough money to buy tickets, so you had to wait for the general sale. But then you saw the ticket prices, and they were absurd. Neither of you could afford to pay over $100 for a single seat in the balcony―on a weekday! And then you kept checking ticket availability, and it was basically sold out with the exception of a few Wednesday matinees. So you both decided the lottery would be your best bet at getting tickets. Who knows how many people you’d be competing and entering with, but why not try?
Fast forward a few months to February 11, and you both set daily alarms on your phones to ensure neither of you would forget to enter the lottery right when it opened at 9 a.m. every single day (except Sundays because there are no shows on Mondays, so why would you waste your time to set a useless alarm only to realize there was no lottery to enter that day?).
Eight days, nine shows, and twenty-one rejections later, one of the emails finally said something other than “Lottery Results: Try Again”. Rather, one of Ashley’s said “STANDBY”.
Songs in musicals are not only entertaining but play integral roles in telling stories, explaining situations, and detailing how characters are feeling. In honor of International Women’s Day, we’re featuring some songs from Broadway musicals that are sung by female characters and show strong emotions while conveying a message of feminism and female empowerment.
“I’d Rather Be Me” – Barrett Wilbert Reed (Mean Girls: The Musical)
This angsty song is all about individuality, staying true to yourself, and forgetting about the stereotypes society has placed on women and girls. In the song, Wilbert Reed, who plays Janis, literally sings “And here’s my right finger to how girls should behave.” Her right finger referring to her middle finger, this line is the essence of the song. It echos the idea that Janis would rather be who she wants to be, regardless of what others think, than to be friends with someone who would disagree with that idea, someone who would pull her down.
“For Good” – Idina Menzel and Kristin Chenoweth (Wicked)
Perhaps the most popular duet (no pun intended) from the hit show, “For Good” is a wonderful example of the power of a strong female friendship. They literally sing “Because I have known you, I have been changed for good,” and isn’t that the goal of all friendships, especially those with your girl gang? Women should lift up and support one another and help make the world a better place, and Elphaba and Glinda have shown us that we can do it one friendship at a time.
In June 2017, we saw our first show on Broadway, Miss Saigon. The show was a couple months into its Broadway revival engagement after transferring from the West End in London. Going in, we knew nearly nothing about the musical, but coming out, we were thoroughly impressed by its compelling and emotional story and complex characters.
After developing more of an interest in Broadway later that year, we found out we could buy the Blu-Ray of the 25th anniversary performance from its West End revival. We thought that would be a good present for our mom, who saw the show with us, while also being a good gift for ourselves. Since then, we’ve watched the Blu-Ray several times and listened to the revival live recording several times. Knowing this, one could plausibly think we wouldn’t have to see the show again―after all, we own the Blu-Ray and can watch it whenever we want. While that reasoning is absolutely correct, it didn’t stop us from seeing the national tour production of Miss Saigon in Chicago on November 20.
That’s the code word Cornelius Hackl tells Barnaby Tucker they’ll to indicate they are having an adventure in Hello, Dolly! It’s quite fitting because our blog name is The Adventures of Amanda and Ashley, after all, and watching the national tour of Hello, Dolly! certainly was an adventure that made us want to yell “Pudding!”